Bandhigyada Farshaxanka ee saameynta saamaynta leh
Dhammaadkii qarnigii 20aad, bandhigyo farshaxan oo dhawr ah ayaa gacan ka gaystay inay beddelaan taariikhda farshaxanka farshaxanka, ka-dejinta iyo saamaynta labadaba farshaxanno iyo dhagaystayaasha farshaxanka.
Bandhigyadan farshaxaneed ee quruxda badani waxay ahaayeen kuwo awood badan, qayb ahaan, sababtoo ah aragtida curiyeyaasha , kuwaas oo ogaa waxa mowduucyada iyo xulashada farshaxanlayaasha, iyo xidhiidhka farsamada, waxay gacan ka geysan lahaayeen abuurista bandhigyo taariikheed oo aan la iloobi doonin.
01 Paul Cezanne's Retrospective ee Salon d'Automne, Paris 1907
Bandhig qof-qof ah oo aad u xoog badan ayaa isbedelay taariikhda taariikhda. Paul Cézanne (1839-1906) oo dib u soo celiyay Salon d'Automne sanadkii 1907, sannad ka dib dhimashadiisa lama filaan ah, wuxuu ahaa mid saameyn ku leh farshaxanno yaryar, gaar ahaan Paris Avant-Garde oo ay ku jiraan farshaxanno sida Picasso, oo loo haysto inuu yahay noqo aabe Cubism iyo casriga ah. Salon d'Automne waxaa asal ahaan asaasay fanaaniinta sida Pierre-Auguste Renoir, Georges Rouault, iyo Édouard Vuillard, oo ah bedel iyo darajo bedel ah Salon ee rasmiga ah.
02 Shirkadda Sonderbund ee Cologne, Jarmalka 1912
Bandhigga Sonderbund ee Cologne, Jarmalka 1912 ayaa lagu casumay Modernism ee Yurub. Cinwaanka dhabta ah ee bandhiggu waa Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler (Bandhiga Caalamiga ah ee Shirkadda Gaarka ah ee Jarmalka Jarmalka ee Farshaxanka iyo Farshaxanada) , laakiin waxaa loo yaqaan 'Sonderbund Exhibition'. Waxaa ka mid ahaa shaqsiyaadka farshaxanka ah sida Paul Cézanne, Edvard Munch, Paul Gauguin, Pablo Picasso, Egon Schiele, iyo Vincent van Gogh waxaana ku jiray tusaalooyinka Muuqaalka Horudhac Imtixaanka Jarmalka, iyo Die Brücke iyo Der Blaue Reiter Schools.
03 Bandhiga Caalamiga ah ee Farshaxanka casriga ah (Bandhigga Cimilada) ee NYC 1913
Bandhigga Caalamiga ah ee Cunuga casriga ah, oo loo yaqaan 'Armory Show Show' (sida uu ka dhacay armaajada 69aad ee Qaboojiyaha), magaalada New York ee 1913 waxay soo bandhigtay farshaxanka casriga ah ee Yurub. Muuqaalka farshaxanka Maraykanku wakhtigaasi wuxuu ahaa xagjiriin iyo ku sifeeyeen xaqiiqda dhabta ah, iyada oo sawiradu diiradda saareen goobaha magaalada, muuqaalka, iyo sawirrada. Qaar ka mid ah fanaaniinta Mareykanka sida Walt Kuhn, Arthur B. Davies, Walter Pach, iyo William Glackens ayaa sameeyay Ururka Isku-duubayaasha Rakaabka iyo Iskuduwayaasha (AAPS) waxayna abaabuleen Bandhiga Armor, kaas oo soo bandhigay Cubism, Post-Impressionism, iyo Fauvism ee farshaxanno Maraykan ah, oo ahaa mid aad u firfircoon oo loo adeegsado Abaabulayaasha Abaabulka ee 1940-yadii.
Farshaxanka Marcel Duchamp oo lagu magacaabo "The Scandalized Public" oo ahaa maskaxda ku jeesjeesata saxaafadda, iyada oo mid ka mid ah naqdiyeyaashu la midoobeen "qarax qarax ka dhacay warshad shingle ah."
04 Bandhigga Farshaxanka Ruushka ee ugu horeeyay ee Berlin, 1922
Bandhigga farshaxanka Ruushka (Erste russische Kunstausstellung), oo Berlin ka furmay October 1922, wuxuu ka soo baxay dhismaha Ruushka wuxuuna ku daray shaqooyinka El Lissitzky (oo sameeyay qorshe), Vladimir Tatlin, Olga Rosanova, Alexander Rodchenko, Kasimir Malevich iyo Marc Chagall. Curiyayaashu waxay ahaayeen fanaaniinta: David Sterenberg, Nathan Altman, iyo Naum Gabo. Bandhigga ayaa helay aqoonsi muhiim ah, sidaas awgeed bandhigga ayaa la ballaariyay si loo sii wanaajiyo dhagaystayaashooda sii koraya. 05 Exhibition International Surrealist Exhibition ee 1936
Bandhiga Bandhigga Caalamiga ah ee Caalamiga ah ee "Surrealist Surprise" ee 1936 waxaa lagu sameeyay koox fanaaniin ah iyo gabayaaga oo ay ku jiraan Henry Moore, Paul Nash, Andre Bréton, Man Ray iyo Paul Éluard. Bandhigga caanka ah ee caanka ah wuxuu keenay Surrealism London. Waxaa ka mid ah Maxkamada Ernst, Joan Miró, iyo Salvador Dalí, kuwaas oo khudbad ka jeediyay Surrealism iyagoo xirxiraya suunka shimbiraha waana in la badbaadiyo inta uu kudhacayo dhimashada. 06 Bandhiga Caalamiga ah ee New Realists NYC, 1962
Sidney Janis Galbeed wuxuu abaabulay Bandhiga Caalamiga ah ee New Realists, kaas oo furay Oktoobar 31, 1962, wuxuuna ahaa bandhigii ugu horeeyay ee lagu soo bandhigo farshaxanka farshaxanka adduunka. Waxaa ka mid ah Wayne Thiebaud, Roy Lichtenstein, Andy Warhol, Claes Oldenburg, James Rosenquist, Robert Indiana, iyo fanaaniinta Yurub sida Jean Tinguely, Yves Klein, Arman, Christo, Marisol, iyo Öyvind Fahlström. Bandhigga ayaa muujiyay xiriirka ka dhexeeya farshaxanada American Pop iyo Real Nouveaux Realistes. Qaar ka mid ah farsamoyaqaannada daba-galka ah sida Mark Rothko, Adolph Gottlieb, Philip Guston iyo Robert Motherwell.
07 Marka habdhaqanku uu noqdo foomka Kunsthalle Bern, 1969
Edward Szeemanne oo ah macallin jarmal ah ayaa bilaabay doorka murashaxa madaxa banaan , maadaama uu ahaa kii ugu horreeyay ee ka shaqeeya meel ka baxsan hey'addaha farshaxanka ee kor u qaadaya sahan weyn. Muuqaalkiisii 1969-kii wuxuu kuugu jiraa Madaxaaga: Marka Mawduuca uu noqonayo Foomka (Shaqada, Waxyaabaha, Waxyaabaha, Xaaladaha, Xaaladaha, Macluumaadka) waxaa ku jira tijaabinta, waxqabadka iyo farshaxanka fekerka iyo soo bandhigay dhaqdhaqaaqyo farshaxan oo kala duwan sida Arte Povera, Form of Anti-Violence and Art Process. Farshaxanno sida Eva Hesse, Joseph Beuys, iyo Bruce Nauman ayaa lagu daray. 08 1989 Shirkadda Avant-Garde Shiinaha ee Beijing
Bandhiga sawirada 1989-ka ee China Avant-Garde oo ku yaal magaalada Beijing ee Farsamada Qaranka ee Fiktooriya, oo ay abaabuleen toban tobanlayaal dhallinyaro farshaxan oo ay ka mid yihiin Gao Minglu iyo Hou Hanru, ayaa soo bandhigay shaqada 186 farshaxan, sida Xu Bing, Huang Yong-Ping, iyo Wu Shanzhuan. Bandhigyadan taariikhiga ahi waxay muujinayaan imaanshada goobta farshaxanka ee casriga ah ee dunida ee caalamka. Bilayska ayaa xiray bandhigga furitaanka maalinta furitaanka marka labada farshaxeed ee Tang Song iyo Xiao Lu lagu toogtay qoryahooda.
09 1989 Magiciens de la Terre (Magaalooyinka Dunida) ee Paris
Dhamaadkii 1980-yadii, aragtida gumeysiga ka dib waxay saameyn ku yeelatay go'aamadii curatada ahaa ee curiyeyaasha, sidaas darteed farshaxan farshaxan ah oo aan weli haysan ragga farshaxan ragga ah ee reer galbeedka, laakiin bandhigyada waxay noqdeen kuwo loo dhan yahay, oo ay ku jiraan kala duwanaanshaha codka hal-abuurka adduunka bixinta. Tani waxay ka muuqatay sannadkii 1989 Magiciens de la Terre (Magaalooyinka Dunida). Xarunta Pompidou iyo Grande Halle ee Paris oo ay ku soo bandhigtay Jean-Hubert Martin, ayaa sahan weyn oo diiradda lagu saaray Asian, African, Australian Aborijiniska iyo farshaxanada Maraykanka.
10 dokumenti oo ku yaalla Kassel, Jarmalka
documenta, oo lagu qoray qadar yar D, waxaa la aasaasay 1955, waxaana badanaa la qabtaa 5tii sano ee ku yaala Kassel, Jarmalka. Daabacaad kasta, curiye caalami ah oo door muhiim ah ayaa dooranaya mowduuc oo wuxuu dooranayaa farshaxanka. documenta waa mid ka mid ah bandhigyada farshaxanka casriga ah ee ugu saameynta badan, taas oo ah sababta fannaaniinta, curiyeyaasha, dhaleecooyinka, iyo xirfadlayaal kale oo farshaxan oo ka socda adduunka oo booqasho ah oo wax ka barta.